From the classic “Cast Away” and the origin story of DC’s Green Arrow to “Alvin and the Chipmunks: Chipwrecked,” stories of people lost on deserted islands have become staples in modern storytelling. Sam Raimi’s 2026 film “Send Help” is one of the newest additions to the genre.
Raimi, best known for his work on the “Spider-Man” and “Evil Dead” films, offers a fresh take on the concept through his characters’ isolated dynamics. He also returns to his roots by leaning into horror. Raimi incorporates his signature style of absurdist horror in many scenes, creating a mix of humor and striking fear. While the horror is used sparingly, Raimi does not hold back when it appears, making the film unsuitable for those squeamish about gore.
The director’s style is supported by dynamic camera movements that allow the film to feel hectic and alive, often filling the viewer with the same stress the characters endure.
What elevates a film like this from good to great is the compelling characters. The story follows Linda Liddle and Bradley Preston, portrayed by Rachel McAdams and Dylan O’Brien. They are new coworkers, with Bradley replacing his father as CEO of the company where Linda works. Bradley’s constant bullying and disrespect toward Linda are shown extensively before the plane crash that leaves them stranded. This serves as a strong starting point, allowing viewers to sympathize with Linda as the protagonist while setting up future twists.
McAdams and O’Brien each break away from their typical roles, showcasing acting abilities they have not displayed in previous projects. While the film initially presents Linda as the protagonist and Bradley as the antagonist, the roles switch as they wrong each other. This allows both actors to portray both sides of the moral spectrum.
The story avoids the predictable path of a standard romantic connection. While hints of romance are sprinkled throughout, the film handles it in a nuanced and endearing way. Their relationship evolves from bitter enemies to a twisted codependency that, while sometimes touching, shows how far they have fallen from who they were when they were first stranded.
What makes the film most memorable is the unpredictable series of twists in the third act, which causes viewers to question everything they have seen. While some twists may feel rushed, the film grounds them in emotional story beats established earlier. This allows viewers to maintain sympathy even after the characters commit heinous acts against each other.
One of the standout aspects of the film is the score composed by Raimi’s longtime collaborator, Danny Elfman. The music masterfully sets the tone for every scene, from the playful and humorous moments to the twisted, horrific portions.
The film is not without its flaws. At times, the dialogue can be vague and generic, especially regarding the company the two leads work for, and some lines regarding their situation feel cliché. While these problems are evident, they do not ruin the experience; the film remains a great time.
Sam Raimi’s “Send Help” is both a fresh experiment and a return to form for the director. It allows two fantastic actors to play in ways they haven’t before, subverting expectations at every turn. “Send Help” is a modern film with the charm of a classic and a wild ride from start to finish.
